developing the conception of it all
dear mahal,
it’s 9:21pm
okay, so we’re finishing all the WIP’s i’ve had molding in my vault of procrastination. i’ve picked the chap book to start off this journey because I have made substantial progress on it compared to the other projects. I’ll probably go into the details and history of the chapbook in a future post cause it’s actually pretty interesting and I kind of love how it’s evolved to what it is today.
Anyway, so for me, the first step for this whole process would of course be writing the first drafts of the poems, and lucky for us all I already have three pieces in this upcoming collection that are already published.
The opening poem – The Killing Rain (the title piece)
The second poem – An Atheist’s Prayer
The last Poem – Passages
The latter two poems are actually published already (you can read them here) and the first poem is essentially done.
If we include the poem I’ll be going over later, then we already have all the ingredients necessary for the second step of this whole process:
Developing the conceptual outline for the collection.
Okay, so, off the rip—I personally prefer collections that prioritize quality over quantity, so every poem has to have a deliberate place and reasoning for its place in the order. I am choosing to have 12 strong pieces comprise the chapbook in this instance because I just like the number 12, but also because I think the flow of 12 pieces, with four poems comprising a specific movement within the reading of every poem, is something that’s pretty manageable.
I also think that chapbooks, no matter how dense, should have an element of ease in its composition; no matter how dense I end up making the poem, I’d like the length of the book to consumable enough that you could finish the entirety of the book within an hour.
I know that may sound strange to some of your reading, as you would probably think this thought process counterintuitive, but let’s look at some realities of chapbooks:
historically, they were meant to be convenient printed books for mobile reading and travel.
in a contemporary context, they are mainly for self-promos, symbolic rights of passage, and just a way for your supporters to patronize you. The reality is that most people will pick up a chapbook at a poetry event, maybe get through the first few pages before skimming it before bringing it home to their shelves or losing it (within the context of how i’ve come to discover and engage with them at least).
of course, you’re going to have those goldilocks supporters that are going to actually read it thoroughly and keep it safe, but one shouldn’t base their pipelines on outlier outcomes.
no, I’m operating like I’m posting a reel on social media; if i’m lucky, someone buys my chapbook at a show or performance and earnestly reads the first poem—and if i’m luckier, they like that first poem and read the rest during their break or on the way home.
I truly believe that you got one shot to impress them else they book the book down forever, so I’m choosing to hit ‘em fast and hit ‘em strong.
so here’s the concept for the chapbook:
- title: the killing rain (as to why, perhaps I’ll explain one day)
- poem count: 12
- theme: love and yearning (yup, get ready for some love poems y’all)
- bonus content after the poems to give readers more if they want it (this is where the fluff will be)
Lastly, i’m not calling this a chapbook cause names are suggestions and learned in my early 20’s the destructive truth that banished Adam and Eve from the first olive garden: I have free will.
the killing rain will be a zine, because I like the name better, and having both ‘zine’ and ‘chapbook’ in these posts is good for the seo (I am not sorry).
so yeah, next post on this series i’ll probably go over writing a new poem from start to finish.
hario lagrito
monday, march 23, 2026
sip studios
(p.s. these posts will definitely be weekly cause I have vastly overestimated what goes into these things. I’ll do my best to post more, but please don’t expect the output to be daily like I stupidly proposed. it was late at night and I don’t know what that hario was smoking.)
Okay so, if you’re interested in this little journey, or like my thoughts, then you should probably go over to my substack.
over there will have the full, detailed, rambling version of this whole journey into making things, and so much more.
